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What Does Green Hat Mean In China

In Chinese culture, colors often carry rich symbolic meanings and cultural connotations, and the term “green hat” is a metaphor with special cultural meanings. It does not simply refer to the green hat itself, but contains deep cultural psychology and social customs. To explore in depth why Chinese men do not wear green hats, we need to analyze from multiple dimensions.

Ⅰ、Cultural background and symbolic meaning

The traditional meaning of green

In traditional Chinese culture, green is not always evaluated positively. In ancient times, green was sometimes associated with “immaturity” and “greenness”, lacking a sense of maturity and stability. However, more importantly, green has gradually developed new symbolic meanings in modern Chinese, especially in spoken language and slang. Green is often associated with negative behaviors such as “cheating” and “infidelity”, especially the term “green hat”, which has become a symbol of the shame suffered by the husband when his wife has an affair.

The metaphor of “green hat”
The popularity of the term “green hat” originated from a folk legend or custom, that is, when someone’s wife has an affair with someone else, people will jokingly call the person’s hat “green” as a way of mocking and insulting him. Although this saying lacks conclusive historical records, it is widely circulated among the people and gradually solidified into a cultural symbol, which profoundly affects people’s concepts and behaviors.Social psychology and customs
Taboo psychology
The Chinese have always attached great importance to face and dignity, and often take a taboo attitude towards things that may damage their reputation and status. Therefore, when the “green hat” becomes a symbol of infidelity and shame, men will naturally try their best to avoid any association with it, including not wearing a green hat, so as not to be misunderstood or ridiculed.
Constraints of social customs
In addition to the taboos at the personal psychological level, social customs also have a strong restraining effect on people’s behavior. In Chinese society, abiding by traditional customs and moral norms is regarded as a virtue, and violating these customs and norms may be condemned and rejected by society. Therefore, not wearing a green hat has become a manifestation of men following social customs and maintaining their own image.

III. Changes and reflections in modern society

Diversification of color concepts
With the development of society and the influence of globalization, Chinese people’s color concepts are gradually changing. As one of the common colors in nature, green is gradually accepted and loved by more people for its positive, healthy and environmentally friendly meanings. In modern society, more and more people are beginning to break free from the shackles of traditional concepts and look at green and related things with a more open and inclusive attitude.
Reflection on the metaphor of “green hat”
At the same time, more and more people are beginning to reflect on the rationality and fairness of the metaphor of “green hat”. They believe that it is unfair to simply associate unfaithful behavior with green hats, and it is also a prejudice and discrimination against women. Therefore, some people have begun to call for abandoning this outdated concept and looking at marriage and loyalty issues with a more rational and objective attitude.

IV. Conclusion
In summary, Chinese men do not wear green hats not just because of personal preferences or aesthetic preferences, but are affected by multiple factors such as deep cultural background, social psychological customs and changes in modern concepts. Under the influence of traditional culture, the “green hat” has become a symbol of infidelity and shame, which makes men often avoid choosing green when choosing the color of a hat.

What Are The Chinese Zodiac Signs?

The Chinese zodiac, also known as the twelve zodiac signs, are twelve animals that are matched with the twelve earthly branches according to the year of birth of a person in China, including rat, ox, tiger, rabbit, dragon, snake, horse, sheep, monkey, chicken, dog, and pig. This folk culture has a long history and has profound cultural connotations and symbolic meanings. The following will elaborate on the specific content and origin of the twelve zodiac signs.

The specific content of the twelve zodiac signs
The order of the twelve zodiac signs is fixed, and they correspond to the twelve earthly branches respectively, as follows:

Rat: represents wisdom and wit, and also symbolizes flexibility and diligence.
Ox: represents tenacity and diligence, and also symbolizes stability and loyalty.
Tiger: represents bravery and strength, and is a symbol of strength and confidence.
Rabbit: represents gentleness and kindness, and also symbolizes agility and intelligence.
Dragon: In Chinese culture, the dragon is a symbol of mystery and dignity, representing authority and innovation.
Snake: represents wisdom and calmness, and also symbolizes flexibility and deep thought.
Horse: represents speed and passion, and also symbolizes freedom and bravery.
Sheep: represents gentleness and kindness, and also symbolizes harmony and loyalty.
Monkey: represents wit and curiosity, and is a symbol of flexibility and mischief.
Rooster: represents diligence and punctuality, and also symbolizes auspiciousness and bravery.
Dog: represents loyalty and bravery, and is a symbol of fidelity and friendliness.
Pig: represents diligence and kindness, and also symbolizes happiness and wealth.

The origin of the twelve zodiac signs
There are many theories and legends about the origin of the twelve zodiac signs, but the most widely accepted one is related to animal worship and the ancient calendar system.
Animal worship
The origin of the twelve zodiac signs is closely related to the worship of animals by ancient humans. In ancient society, animals were closely related to human life. Through observation of animals, people discovered their unique habits and characteristics, which led to the worship of animals. This worship psychology gradually evolved into linking animals with human destiny, personality, etc., forming the concept of the twelve zodiac signs.
Ancient calendar system
According to historical records, the origin of the twelve zodiac signs is also related to the calendar system of ancient China. As early as the Western Zhou Dynasty, China had a calendar system that divided the year into twelve periods and used twelve animals as symbols. This calendar system may have been formed based on astronomical observations and agricultural production experience, and was used to guide people in farming activities and daily life. Over time, this calendar system was gradually improved and combined with the twelve earthly branches to form the twelve zodiac signs we are familiar with now.
Legends and Stories
There are many vivid legends and stories about the origin of the twelve zodiac signs. The most famous one is the story of the “Twelve Zodiac Signs Race”. According to legend, Huangdi held an animal race to determine the representative animals of the twelve hours. The participating animals included rats, cows, tigers, rabbits and other twelve species. In the competition, various animals showed their own strengths and wisdom. In the end, the rat won the first place in the competition with wit and flexibility, and became the representative animal of Zishi; while the cow won the second place with diligence and steadiness, and became the representative animal of Choushi… and so on, and finally determined the order and representative meaning of the twelve zodiac signs.
Documentary Records
The earliest complete record of the twelve zodiac signs that is the same as today is “Lun Heng” by Wang Chong of the Eastern Han Dynasty. In this work, Wang Chong describes in detail the correspondence between the twelve zodiac signs and the twelve earthly branches and their respective symbolic meanings. This shows that in the Eastern Han Dynasty, the twelve zodiac signs had formed a complete system and were widely accepted and passed down.

III. The cultural significance of the twelve zodiac signs
As an important part of Chinese traditional culture, the twelve zodiac signs have far-reaching cultural significance. It is not only a way of recording time, but also a folk belief and cultural symbol. In folk culture, the twelve zodiac signs are endowed with rich symbolic meanings and implications, representing people’s different understandings and thoughts on life, nature and society.

Timekeeping method
As a way of recording time, the twelve zodiac signs are simple and easy to remember. In ancient society, people did not have the concept of time in the modern sense, and could only roughly judge the time by observing astronomical and natural phenomena. The twelve zodiac signs provide an intuitive and easy-to-understand way of recording time, allowing people to determine their zodiac signs according to their year of birth, so as to better understand themselves and others.
Folk Beliefs
In folk beliefs, the twelve zodiac signs are endowed with various mysterious powers and meanings. People believe that different zodiac signs represent different personality traits and destiny. Therefore, in terms of marriage, life, and annual fortune, people will pay attention to their zodiac signs and the related taboos. For example, in terms of marriage, people will judge whether they are compatible based on the zodiac signs of both parties; in terms of the year of birth, people will take various measures to avoid evil and ensure safety.
Cultural Symbols
As one of the important symbols of Chinese culture, the twelve zodiac signs are widely used in various cultural and artistic fields. The twelve zodiac signs can be seen in art forms such as painting, sculpture, and calligraphy. In addition, the twelve zodiac signs are often used as one of the elements of decoration and celebration in traditional festivals and celebrations. These art forms not only show the unique charm and rich connotation of the twelve zodiac signs, but also inherit and promote the spirit and value of Chinese traditional culture.

IV. Conclusion
The Chinese zodiac signs are a folk culture with profound cultural connotations and symbolic significance. It originated from the ancient human worship of animals and the development and improvement of the ancient calendar system.

The First Emperor Of China:Qin Shi Huang

The first emperor of China was Qin Shi Huang, whose life and contributions had a profound impact on Chinese history. The following is a detailed introduction to Qin Shi Huang:

I. Biography
Qin Shi Huang (259 BC – 210 BC), surnamed Ying, clan Zhao (some say Qin), named Zheng (some say Zheng), also known as Zulong, Lv Zheng and other nicknames. He was an outstanding politician, strategist, and reformer in ancient China, the founder of the Qin Dynasty, the first autocratic centralized state in Chinese history, and the first monarch in China to be called emperor. Qin Shi Huang was born in Handan, the capital of Zhao State, and was the son of King Zhuangxiang of Qin and Zhao Ji. Because his father was a hostage in Zhao State, he was born and raised in Zhao State. After King Zhuangxiang of Qin became the crown prince of Qin State, Qin Shi Huang was sent back to Qin State and inherited the throne at the age of 13.

II. Political achievements

Destroyed the six kingdoms and unified the world
From 230 BC to 221 BC, Qin Shi Huang successively destroyed the six kingdoms of Han, Zhao, Wei, Chu, Yan, and Qi, and completed the great cause of unifying China. This feat ended the situation of warring states that had lasted for more than 500 years since the Spring and Autumn Period and the Warring States Period, and established the first unified dynasty in Chinese history, the Qin Dynasty. This achievement not only laid the foundation for the formation of a unified multi-ethnic country in later generations, but also greatly promoted the exchange and integration among ethnic groups.
Establishment of the Emperor System
In 221 BC, after completing the great cause of unification, Qin Shihuang believed that his achievements were “virtuous as the Three Sovereigns and meritorious as the Five Emperors”, so he adopted the “Emperor” of the Three Sovereigns and the “Emperor” of the Five Emperors to form the title of “Emperor”, and called himself the First Emperor. This initiative marked the formal establishment of China’s monarchical autocracy, and was also used by emperors of later generations.
Centralization and local management
Qin Shihuang created a complete bureaucratic system at the central level, implemented the system of three officials and nine ministers, and officials such as the prime minister, the general, and the imperial censor assisted the emperor in handling state affairs. At the local level, he abolished the feudal system and replaced it with the county system, with officials directly appointed by the central government to govern the local areas. This system greatly strengthened the central government’s control over local areas and laid the foundation for the development of the centralized system in later generations.

III. Economic and cultural contributions

Unification of weights and measures and currency
After Qin Shihuang unified the six kingdoms, in order to promote economic exchanges and development, he ordered the unification of weights and measures and currency. This move eliminated obstacles in transactions between various places and promoted commodity circulation and economic development. At the same time, he also built the Chidao (ancient highway) to strengthen the connection and communication between various places.
The same writing and the same track
In order to strengthen cultural unity and administrative efficiency, Qin Shihuang implemented the policy of the same writing and the same track. He stipulated that the small seal script should be the official writing, and unified the production standards of vehicles and road specifications. These measures not only promoted the exchange and dissemination of culture, but also improved the efficiency and convenience of administrative management.

IV. Military and diplomatic achievements

Strike the Xiongnu in the north and conquer the Baiyue in the south
After unifying the six kingdoms, Qin Shihuang did not stop the pace of external expansion. He sent generals such as Meng Tian to the north to attack the Xiongnu, recovered the Hetao area and built the Great Wall to defend against the invasion of nomadic peoples in the north. At the same time, he also sent generals such as Ren Xiong and Zhao Tuo to the south to conquer the Baiyue area, incorporated the Lingnan area into the territory of the Qin Dynasty and set up three counties, Nanhai, Guilin and Xiangjun, for management. These measures not only expanded the territory of the Qin Dynasty, but also strengthened the central government’s control over the border areas.
Construction of Lingqu and communication of water systems
In order to strengthen the connection with the Lingnan area and facilitate the transportation of materials and the mobilization of troops, Qin Shihuang ordered the construction of Lingqu. Lingqu connects the two major water systems of Xiangjiang and Lijiang, allowing ships in the Central Plains to reach Lingnan directly by water. This project not only solved the problem of military needs at the time, but also had a far-reaching impact on the transportation and economic development of later generations.

V. Historical evaluation
As the first emperor in Chinese history and the founder of the Qin Dynasty, Qin Shihuang’s achievements and contributions are indelible. He ended the separatist situation since the Spring and Autumn Period and the Warring States Period and achieved the first great unification in Chinese history; he established a series of far-reaching political systems and cultural policies, laying the foundation for the formation and development of a unified multi-ethnic country in later generations; he expanded outward and strengthened control over border areas, expanded China’s territory and promoted ethnic exchanges and integration. However, during his reign, Qin Shihuang also implemented extreme policies such as harsh laws and burning books and burying scholars, which aroused controversy and criticism in later generations. Despite this, we should still look at Qin Shihuang’s historical status and contributions objectively and give him due evaluation.

Why Don’t Chinese Men Wear Green Hats?

Cultural background and symbolic meaning
The traditional meaning of green

The metaphor of “green hat”
The popularity of the term “green hat” originated from a folk legend or custom, that is, when someone’s wife has an affair with someone else, people will jokingly call the person’s hat “green” as a way of mocking and insulting him. Although this saying lacks conclusive historical records, it is widely circulated among the people and gradually solidified into a cultural symbol, which profoundly affects people’s concepts and behaviors.
Social psychology and customs
Taboo psychology
The Chinese have always attached great importance to face and dignity, and often take a taboo attitude towards things that may damage their reputation and status. Therefore, when the “green hat” becomes a symbol of infidelity and shame, men will naturally try their best to avoid any association with it, including not wearing a green hat, so as not to be misunderstood or ridiculed.
Constraints of social customs
In addition to the taboos at the personal psychological level, social customs also have a strong restraining effect on people’s behavior. In Chinese society, abiding by traditional customs and moral norms is regarded as a virtue, and violating these customs and norms may be condemned and rejected by society. Therefore, not wearing a green hat has become a manifestation of men following social customs and maintaining their own image.

III. Changes and reflections in modern society

Diversification of color concepts
With the development of society and the influence of globalization, Chinese people’s color concepts are gradually changing. As one of the common colors in nature, green is gradually accepted and loved by more people for its positive, healthy and environmentally friendly meanings. In modern society, more and more people are beginning to break free from the shackles of traditional concepts and look at green and related things with a more open and inclusive attitude.
Reflection on the metaphor of “green hat”
At the same time, more and more people are beginning to reflect on the rationality and fairness of the metaphor of “green hat”. They believe that it is unfair to simply associate unfaithful behavior with green hats, and it is also a prejudice and discrimination against women. Therefore, some people have begun to call for abandoning this outdated concept and looking at marriage and loyalty issues with a more rational and objective attitude.

What Magic Does Sun Wukong Have?

Sun Wukong, as the core character in Journey to the West, possesses many magical and powerful spells. These spells not only enable him to achieve great success on the journey to the West, but also make him a symbol of wisdom, courage and great magical powers in Chinese culture. The following is a summary and analysis of Sun Wukong’s main spells:

Seventy-two Transformations
Seventy-two Transformations is one of Sun Wukong’s most well-known spells. It does not mean that Sun Wukong can only transform into seventy-two forms, but describes his versatility and great magical powers. This spell allows Sun Wukong to transform into different forms in different situations, whether it is a person, an animal, an object, or even a god or a ghost, he can transform at will. Seventy-two Transformations are not only used to confuse the enemy and avoid danger, but also often play a key role in battle, allowing Sun Wukong to flexibly respond to various challenges.
Somersault Cloud
Somersault Cloud is another iconic spell of Sun Wukong, and it is also his fastest way of flying between heaven and earth. One somersault can cross 108,000 miles, a speed that no one in Journey to the West can match. The Somersault Cloud not only allows Sun Wukong to travel quickly between places on his journey to the West, but also often becomes his magic weapon to escape from difficulties in emergency situations.
The Heaven and Earth
The Heaven and Earth is a transformation spell. After casting, Sun Wukong’s height will become ten thousand feet high, and his attack power and attack range will be greatly improved. This spell not only makes Sun Wukong look extremely powerful visually, but also enhances his combat effectiveness in actual combat. In the battles with powerful enemies such as Erlang Shen, Sun Wukong has cast the Heaven and Earth many times, showing amazing strength.
External Incarnation
The external incarnation, also known as the clone technique, is a spell that Sun Wukong uses the hair on his body to transform. He can chew the hair and spray it out, and transform into countless clones to assist himself in fighting or completing other tasks. These clones are not only similar to Sun Wukong’s body, but also have a certain combat effectiveness, allowing Sun Wukong to be at ease when facing many enemies. In addition, Sun Wukong can also separate his clone from his main body to conduct long-distance reconnaissance or attack.
Fire Eyes
Fire Eyes is a magical power that Sun Wukong cultivated in the Eight Diagrams Furnace of Taishang Laojun, which can see through all falsehoods and disguises. On the way to the West to obtain scriptures, Sun Wukong used his fire eyes to see through the true form and tricks of monsters many times, and escorted the safety of the team. Fire eyes not only gave Sun Wukong the upper hand in battle, but also enabled him to see through people’s hearts and distinguish right from wrong in daily life.
Water Avoidance
Water Avoidance is a spell used by Sun Wukong when fighting underwater, which allows him to breathe freely and move freely in the water. This spell is crucial for Sun Wukong, because he often needs to cross rivers, lakes and seas on the way to obtain scriptures and fight monsters in the water. The use of Water Avoidance allows Sun Wukong to maintain a strong combat effectiveness underwater and is not affected by the water environment.
Soul Out of Body
Soul Out of Body is a spell that allows Sun Wukong to separate his soul from his body to carry out other activities. This spell allows Sun Wukong’s soul to leave his body to explore the enemy, find items or perform other tasks without moving his body. Soul Out of Body not only makes Sun Wukong more flexible in battle, but also enables him to solve many difficult problems in daily life.
Three Heads and Six Arms
Three Heads and Six Arms is a special form that Sun Wukong shows in battle. He can grow two extra heads and four arms in a short period of time, so that he can fight in all directions without dead ends. In this form, Sun Wukong not only has a greatly increased attack power, but can also deal with enemy attacks in multiple directions at the same time. The use of three heads and six arms makes Sun Wukong more brave and invincible in battle, becoming the enemy’s nightmare.
The Art of Blowing Hair to Change into Monkey
The Art of Blowing Hair to Change into Monkey is a new spell created by Sun Wukong combining the Seventy-two Transformations and the Incarnation. He can turn the hair on his body into countless little monkeys to assist him in fighting or completing other tasks. These little monkeys are not only numerous but also fast, and can put great pressure on the enemy in a short time. The use of the technique of blowing hair to change into a monkey makes Sun Wukong more handy in battle and can easily deal with various complex situations.
Other spells
In addition to the main spells listed above, Sun Wukong also mastered many other powerful spells. For example:

Fixed body method: can fix the enemy’s body and make it unable to move.
Draw a circle on the ground: use the golden hoop to draw a circle to resist the monsters.
Summoning method: chanting spells to summon mountain gods and other small gods to help.
Calling wind and rain: controlling weather changes by chanting spells.
Capturing method: using strong winds to take people and objects away.
Life-saving hair: three life-saving hairs given by Guanyin Bodhisattva can save lives in critical moments.
These spells are unique and powerful, making Sun Wukong an omnipotent mythical hero in “Journey to the West”.

In summary, Sun Wukong’s magic is diverse and powerful, which not only enables him to achieve great success on the journey to the West, but also makes him a symbol of wisdom, courage and power in Chinese culture. The use of these magic not only demonstrates Sun Wukong’s wisdom and courage, but also reflects his flexibility and firm belief in the face of difficulties and challenges.

Ghost Festival: Burning Paper To Remember The Dead

On the night of the 15th day of the seventh lunar month every year, you will see many people burning paper on the roadside or other places, which brings you a strange atmosphere. This is actually an act of remembering the dead.

When is the Zhongyuan Festival?
The Zhongyuan Festival, also known as the Ghost Festival and the Half of July, is a traditional festival on the 15th day of the seventh lunar month every year (in some areas, especially in South China, there is also a custom of celebrating the festival on the 14th day of the seventh lunar month). This day is regarded as the intersection of the Yin and Yang worlds in traditional Chinese culture. It is an important day for worshiping ancestors and transcending the souls of the dead. The Zhongyuan Festival in 2024 falls on August 18, Sunday, which is not a statutory holiday, but its influence among the people is still far-reaching.
What is the Zhongyuan Festival?
The Zhongyuan Festival is one of the four traditional Chinese sacrificial festivals. Together with New Year’s Eve, Qingming Festival and Chongyang Festival, it constitutes an important node for the Chinese nation to worship their ancestors. It originated from the ancient worship of ancestors and belief in nature, and gradually integrated the religious elements of Taoism and Buddhism to form a unique cultural connotation. The Zhongyuan Festival is not only a day to worship ancestors and remember the dead, but also a time to pray for a good harvest, family peace, and social harmony.

III. Legends of Zhongyuan Festival

Mulian Saves His Mother
Mulian Saves His Mother is one of the most well-known legends of Zhongyuan Festival. Mulian, whose secular name is Luobu, was punished to suffer in the Avici Hell for her evil deeds in her lifetime. After Mulian acquired supernatural powers, he learned about his mother’s situation and resolutely went to hell to rescue her. He asked for help from Tathagata Buddha, and finally saved his mother from the sea of suffering and reincarnated as a dog in the royal city. After Mulian laid a forty-nine-day Taoist temple, his mother was able to ascend to heaven. This legend embodies the spirit of filial piety and compassion, and is also an important cultural foundation for worshiping ancestors and transcending the souls of the dead during Zhongyuan Festival.
Cai Mo Burns Paper
Another legend related to Zhongyuan Festival is the story of Cai Mo burning paper. During the Eastern Han Dynasty, after Cai Lun invented papermaking, his brother Cai Mo’s business was bleak due to poor papermaking technology. Later, his wife Hui Niang came up with a clever plan. She pretended to be dead and resurrected, claiming that because Cai Mo burned paper for her, she was able to enjoy money in the underworld, thus saving her from the predicament. From then on, every July 15th, people would burn incense and paper for their ancestors to show their remembrance and filial piety.

IV. Customs of the Ghost Festival

Ancestor worship
The most important custom of the Ghost Festival is to worship the ancestors. People will place offerings at home or in front of the ancestral tomb, such as three kinds of meat, three kinds of tea and five kinds of wine, etc. The head of the family will preside over the ceremony, burn three sticks of incense, kowtow and pray to the ancestors to bless the family with peace and prosperity of descendants. In some areas, there is also a custom of taking the souls of ancestors home and offering food every day until the end of July.
Release river lanterns
Release river lanterns is also one of the important customs of the Ghost Festival. People make river lanterns such as lotus lanterns, light them and place them in rivers, lakes and seas, letting them float. Legend has it that this can help drowning ghosts and other lonely ghosts in the water to rest in peace. Putting lanterns on the river is not only a mourning for the deceased relatives, but also a blessing for the living people.
Burning paper money
Burning paper money is an indispensable activity of the Zhongyuan Festival. People believe that paper money can represent money to be used in the underworld, so they will burn a lot of paper money for their ancestors and lonely ghosts. This custom reflects people’s remembrance of their ancestors and their compassion for the dead souls.
Grabbing the ghost
Grabbing the ghost is a special temple fair activity, which is usually held after the Zhongyuan Festival. The host provides the offerings for the sacrifice to people to grab, which is called “grabbing the ghost”. This activity is said to scare away the ghosts who linger in the world and make them stop haunting.
Taboos of the Zhongyuan Festival
It is not suitable to get married
The Zhongyuan Festival is considered to be a time when the yin energy is heavier, so it is not suitable to hold a wedding. People are worried that the newlyweds will be disturbed by the yin energy, affecting the happiness and auspiciousness of the marriage.
It is not suitable to go out at night
On the night of the Zhongyuan Festival, people believe that the ghosts in the underworld are active frequently, so they avoid going out at night. In order to avoid unexpected events or being disturbed by ghosts.
Swimming is not suitable
Water has the meaning of purification and represents Yin energy during the Ghost Festival, so swimming is not suitable. People are worried that ghosts from the underworld will take this opportunity to invade the human world and bring misfortune and disaster.
It is not suitable to turn on lights at night
It is not suitable to light too many lights at night to avoid attracting ghosts. People believe that too many lights will destroy the atmosphere of sacrifice and attract unclean souls.
It is not suitable to cry alone at night
Crying at night during the Ghost Festival is believed to attract ghosts and bring bad emotions to people. Therefore, people should maintain an optimistic attitude and avoid crying alone at night.
It is not suitable to pick fruits
The Ghost Festival is a time when ghosts are floating around, and picking fruits may attract unclean souls. People are worried that the picked fruits will be possessed by ghosts or carry bad air.
It is not suitable to throw things around
Throwing garbage or waste on the Ghost Festival is believed to attract evil spirits. Therefore, people should keep the environment clean and orderly and avoid throwing away garbage at will.
Do not ridicule ghosts and gods: Respect ghosts and gods, do not ridicule or ridicule, so as not to bring bad luck.

Respect tradition and understand taboos: The taboos of the Ghost Festival are not nonsense, but reflect people’s respect and respect for the dead. These taboos protect people’s spirit and emotions to a certain extent, and also promote people’s social harmony. When celebrating the Ghost Festival, respecting traditions and following taboos will not only help maintain the continuation of traditional culture, but also reflect our deep affection for our loved ones.

Chinese Mythology: Pangu Creates The World

The legend of Pangu creating the world is one of the most famous stories in ancient Chinese mythology. It carries the ancients’ endless imagination and exploration of the origin of the universe and the birth of mankind.

The origin and background of the legend
The legend of Pangu creating the world was first seen in “Sanwu Li Ji” written by Xu Zheng of Wu during the Three Kingdoms period. In this ancient book, Xu Zheng constructed a magnificent picture of the beginning of chaos and the birth of heaven and earth with rich imagination and profound philosophy. This legend not only reflects the ancient people’s simple understanding of the formation of the universe, but also expresses their awe and worship of natural forces.
The main content of the legend
Chaos began, Pangu was born
In ancient times, the universe had not yet formed, and the world was not divided. The whole world was in chaos, like a huge egg, pitch black, unable to distinguish up and down, left and right, and there were no sun, moon, and stars. However, in this chaos, a great life was born-Pangu. He slept in this chaotic “egg” for countless tens of thousands of years, until one day, he suddenly woke up and found that it was pitch black and hot all around, so he decided to use his own power to change everything.
Pangu opened the sky and split the chaos with an axe
After waking up, Pangu found himself in a small space and could not stretch his hands and feet. He angrily grabbed a large axe that he was born with and chopped around with all his strength. There was a loud bang, deafening, and the chaotic “egg” suddenly broke. The light and clear things in it slowly rose and became the sky; the heavy and turbid things slowly sank and became the earth. Pangu’s axe not only split the chaos, but also created a new era for all things in the world.
Stand up to the sky and stabilize the world
When the world was first opened, it was not stable, and Pangu was worried that they would close together again. So, he resolutely stood between the world like a pillar with his head on the sky and his feet on the ground. He grew one zhang taller every day, and the sky also rose one zhang taller, and the earth also grew one zhang thicker. In this way, Pangu used his body to support the heaven and earth, allowing them to gradually stabilize. After countless tens of thousands of years of hard work, the heaven and earth finally stabilized and no longer closed. And Pangu, in this process, became a giant who stood tall and upright.
Pangu became everything and created the world
After the heaven and earth were stable, Pangu also exhausted all his strength and finally fell to the ground. However, his death was not the end, but the beginning of another form. Pangu’s body underwent tremendous changes after his death: his left eye became a bright red sun, and his right eye became a silver moon; his hair and beard became shining stars; his head and hands and feet became the four poles and mountains of the earth; his blood became rivers and lakes; his tendons became roads; his muscles became fertile land; his skin and sweat hair became flowers, plants and trees; his teeth and bones became precious minerals such as gold and silver treasures. Pangu’s body thus became everything and created this colorful world.
The significance and value of legends
Exploration of the origin of the universe
The legend of Pangu creating the world is a simple and bold exploration of the origin of the universe by the ancients. In ancient times when science and technology were not yet developed, people could not use scientific means to explain the birth and evolution of the universe, so they could only express their imagination and speculation in the form of myths and legends. This legend not only reflects the ancients’ awe and worship of natural forces, but also shows their spirit of courage to explore and dare to imagine.
Praise for human creativity
In the legend, Pangu is not only a hero who created the world, but also a god who created all things. He used his wisdom and strength to create the world and all things, providing the necessary conditions for human survival and reproduction. This legend not only praises Pangu’s creativity and selfless dedication, but also inspires people to be brave in creation, dare to innovate, and contribute their own strength to the progress and development of society.
Promotion of cultural inheritance
As an important part of ancient Chinese mythology, the legend of Pangu creating the world not only enriches the connotation and extension of Chinese culture, but also promotes the inheritance and development of culture. This legend has been praised and interpreted by literati and poets of all generations, forming a rich and colorful literary and artistic works. At the same time, it has also become one of the important symbols of the cultural identity of the Chinese nation, enhancing the cohesion and centripetal force of the nation.

IV. Conclusion
The legend of Pangu creating the world is one of the treasures in ancient Chinese mythology. It has attracted the attention and love of countless people with its unique charm and profound connotation. This legend not only allows us to appreciate the imagination and exploration of the ancients on the origin of the universe and the birth of mankind, but also allows us to feel the greatness and infinite possibilities of human creativity.

How old is Jackie Chan?

Jackie Chan, a world-renowned Chinese film and television actor, film director, pop singer, producer and screenwriter, has become a legend in the hearts of countless people since he entered the film industry in the 1970s with his unique action comedy style and unremitting fighting spirit. Regarding the question of Jackie Chan’s age, the following is a detailed discussion article.

Jackie Chan’s Age and Life Journey
Jackie Chan, whose real name is Fang Shilong and stage name is Jackie Chan, was born on April 7, 1954 and is now (2024) 70 years old. He was born in Hong Kong, China, and his ancestral home is Shandong. He is an indispensable and important figure in the Chinese film industry. Over the decades of filming, Jackie Chan has not only won a high reputation in China, but also shined on the international stage and became a business card of Chinese culture.

Early life
Jackie Chan’s early life was not smooth sailing. He was born in a wealthy mansion on the top of Victoria Peak, but his family was not rich. The family lived in a narrow and simple side room. Since childhood, Jackie Chan has shown a strong interest in martial arts, which has laid a solid foundation for his future acting career. In 1961, Jackie Chan, who was only 7 years old, was sent to the China Academy of Drama and began a decade of rigorous martial arts training. Although this experience was difficult, it also honed his will and laid a solid foundation for his future action performances.

Acting Career
In 1971, the 17-year-old Jackie Chan officially entered the entertainment industry as a dragon and tiger martial artist. At first, he could only play some inconspicuous roles in movies and was often injured. However, Jackie Chan gradually emerged in the film industry with his perseverance and talent. He personally performed various difficult actions, and this professionalism and fighting attitude won the love and respect of the audience. From “Drunken Master” to “Police Story” to the “Rush Hour” series, Jackie Chan has become a shining star in the international film industry with one classic work after another.

Achievements and Honors
Jackie Chan’s acting career has achieved brilliant achievements. He has not only been recognized by important awards such as the Hong Kong Film Awards and the Taiwan Film Golden Horse Awards many times, but also won the Oscar Lifetime Achievement Award in 2016, becoming the first Chinese to win the award. This honor is not only an affirmation of Jackie Chan’s personal talent, but also a recognition of his contribution to the global film industry.

In addition to his acting career, Jackie Chan is also actively involved in public welfare and social activities. He established the Jackie Chan Charity Foundation, which is committed to helping people in need. At the same time, he has served as an image ambassador and promotion ambassador for large-scale international events many times, making important contributions to the international dissemination of Chinese culture.

The meaning behind Jackie Chan’s age

At the age of 70, Jackie Chan is still active in the film industry, and this spirit is admirable. His age is not just a number, but also a testimony to his brilliant life and unremitting efforts. In Jackie Chan, we see his persistent pursuit of dreams, his infinite love for his career, and his positive attitude towards life. Every performance of his is full of passion and vitality, as if the years have never left a mark on him.

In addition, Jackie Chan’s age also reminds us to cherish time and seize the present. In the journey of life, we may encounter various difficulties and challenges, but as long as we maintain firm beliefs and unremitting efforts like Jackie Chan, we will definitely be able to create our own glorious chapter.

Conclusion
Jackie Chan, the 70-year-old legend, has used his life to interpret what is the true fighting spirit and professionalism. His story has inspired countless people to move forward and pursue their dreams. In the days to come, we look forward to Jackie Chan continuing to bring us more excellent works and wonderful performances, and we also wish him good health, happiness and longevity.